American Painter , b.1866 d.1936 was an artist and founding member of the Taos artists colony in Taos, New Mexico. Couse was born in Saginaw, Michigan, where he first started drawing the Chippewa Indians who lived nearby. Couse attended the Art Institute of Chicago, and the National Academy of Design, New York. He left for Paris to study at the Ecole des Beaux-Arts and Academie Julian under Bouguereau. He lived in France 10 years, where he painted charming scenes of the Normandy coast. After his return to America he devoted himself to depicting the life and habits of the Taos Indians, a pueblo tribe in New Mexico. He reveals the poetical and philosophical rather than the savage and warlike side of the Indians, and his skillfully executed pictures are full of sentiment.   Related Paintings of Eanger Irving Couse :. | Lovers (Indian Love Song) | Eanger Irving Couse (1866-1936) was an artist and founding member of the Taos artists colony in Taos, New Mexico. | Lovers | The Captive | Hunting for Deer |
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HEDA, Willem Claesz.
Dutch painter (b. 1594, Haarlem, d. 1680, Haarlem). Dutch still-life painter. His excellent studies of tables laden with food, called ontbijt still life, are seen in many important European galleries. They are characterized by delicate lighting effects and somber colors.
Jacob Maris
(August 25, 1837, The Hague - August 7, 1899, Karlsbad) was a Dutch painter, who with his brothers Willem and Matthijs belonged to what has come to be known as the Hague School of painters. Maris studied at the Antwerp Academy, and subsequently in Hubertus van Hove's studio during a stay in Paris from 1865 till 1871. He returned to Holland when the Franco-Prussian War broke out, and died there in August 1899. Though he painted, especially in early life, domestic scenes and interiors invested with deeply sympathetic feeling, it is as a landscape painter that Maris excelled. He was the painter of bridges and windmills, of old quays, massive towers, and level banks; even more was he the painter of water, and misty skies, and chasing clouds. In all his works, whether in water or oil color, and in his etchings, the subject is always subordinate to the effect. His art is suggestive rather than decorative, and his force does not seem to depend on any preconceived method, such as a synthetical treatment of form or gradations of tone. And yet, though his means appear so simple, the artist's mind seems to communicate with the spectator's by directness of pictorial instinct, and we have only to observe the admirable balance of composition and truthful perspective to understand the sure knowledge of his business that underlies such purely impressionist handling.
Wojciech Gerson
(1831 - 1901) was a Polish painter and professor. Born in Warsaw, Gerson enrolled at the Warsaw Fine Arts Academy and graduated with honorable mention and a scholarship to St. Petersburg Academy of Arts where he studied historical painting under A. T. Markov. He graduated from St. Petersburg with a silver medal and returned to Warsaw. He left for Paris in 1850 and studied under Leon Cogniet. He travelled back to Warsaw in 1858, where he would live for the rest of his life. Gerson began to teach art in his own workshop in 1865. He trained many future Polish artists such as J??zef Chełmo??ski, Leon Wycz??łkowski, Władysław Podkowi??ski, and J??zef Pankiewicz. He was made a professor for the St. Petersburg Fine Arts Academy in 1878. Gerson also worked as an architect and art critic. He is known for his paintings of patriotism, country life, and mountain landscapes. Gerson died in Warsaw, aged 70.